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Home
> Publications >
RWMCH
Vol. 41
ISSN:
1029-4759
Date:
2023-6
Softcover:200 TWD
Price:
未出版
Pages:
190
Vol.:
0
Size:
18 K
Other Ordering Methods:
MH
Abstract:
本期收學術論文三篇:詹宜穎著〈「革命女傑」再探:俄國革命者「蘇菲亞」形象在日本與中國的流播與轉化(1881-1911)〉、顏 訥著〈多重邊緣的自覺:冼玉清嶺南研究的重層視域〉、Ni Julia Haoran著“‘Unqualified’ and ‘Licentious’
Nü Xiaozhang
女校長 in Republican China: Sexism toward Professional Women in School Leadership Positions”,及書評一篇:李典蓉撰〈評介《壼政:清代宮廷女性研究》〉。
Contents
Articles
Revisiting the“Revolutionary Heroine”: The Dissemination and Transformation of the Image of the Russian Revolutionary “Sophia” in Japan and China (1881-1911)
[Abstract]
Chan I-ying
PDF
1
The present article examines, from the perspective of cross-cultural translation, how the character Sophia in
Underground Russia
, a work written by Russian revolutionary Sergey Stepniak-Kravchinsky (1851-1895), has been continually transformed in various works to respond to modern political shifts, such as the Japanese political novel
Kishushu
鬼啾啾 and the historical academic work
Kinsei museifushugi
近世無政府主義 (
Modern Anarchism
) as well as Chinese novels and biographies including
Dong Ou nü haojie
東歐女豪傑 (
Heroines of Eastern Europe
) and “Eguo xuwudang nüjie Shaboluoke zhuan” 俄國虛無黨女傑沙勃羅克傳 (“The Biography of Russian Nihilist Heroine Sophia Perovskaya”). The article is divided into four parts: The first discusses the motiva- tions and strategies of Stepniak in writing
Underground Russia
, along with the image and significance of Sophia in his work. Secondly, the portrayal of Sophia in
Kishushu
, adapted by Japanese civil rights activist Miyazaki Muryu 宮崎夢柳 (1855-1889), is explored. The third part delves into the transformation of Sophia’s image in historical scholar Kemuyama Sentarou’s 煙山專太郎 (1877-1954)
Modern Anarchism
. Finally, the fourth focuses on the characteristics and political significance of the image of Sophia as translated and interpreted by Chinese intellectuals based on Japanese works. By tracing the deeds of Sophia and the evolution of her image, we can more clearly outline the transformation of her significance in various cultural contexts, as well as presenting a picture of the interweaving of political propaganda, cultural interpretation, and symbolism within the global contexts of the late 19th and early 20th centuries.
Keyword
:heroine, nihilism, revolution, Sophia, terrorist
Self-Awareness of Multiple Margins: The Palimpsest Horizons of Lingnan Studies of Sin Yuk-ching
[Abstract]
Yen Na
PDF
57
During the late Qing and Republican era of China, among the few female scholars from Macau, Sin Yuk-ching (Xian Yuqing 冼玉清, 1895-1965), or more commonly known as the “Lingnan talented woman” 嶺南才女, was the most successful active female scholar and classical poet within the Lingnan male literati community. She was also the first to compile a bibliography of women’s works in the history of Lingnan and the pioneer of the academic lineage of women’s studies in Guangdong.
Throughout her life, Sin Yuk-ching moved between Macau, Hong Kong, and Guangdong, and her Lingnan studies combined the Chinese cultures from the three regions as well as the “palimpsest horizons” formed by Portuguese and British colonial experiences. From the Ming dynasty onwards, Macau had become a “southern paradise” 南天樂土 and frequently interacted with the Lingnan cultural community. On one hand, it was seen as a peripheral area to the Empire, but on the other, was a base from which China imported Western culture. Due to its immigration society and colonial history, the cultural circle of Macau not only ushered in talents from Mainland China, but also had some of its scholars move to different places such as Guangdong and Hong Kong, a trend which helped to develop the Lingnan academic style.
Among them, Sin Yuk-ching was one of the first scholars to discuss the importance of Macao in modern Chinese history, and she worked tirelessly to uncover people and cultures at different margins within Lingnan literature. The present paper highlights Sin’s “self-awareness of multiple margins,” including those of Lingnan in relation to the cultural centers in the north, of Macau and Hong Kong within Lingnan studies, and of women in the Republic of China as she placed herself in the center of the intellectual field from the margin. Furthermore, this study analyzes and interprets the new Cantonese education Sin had received in Macau during the late Qing and Republican era , how she brought a Macau experience back to Guangdong cultural circles by constructing Lingnan literary and historical studies in times of turmoil, and finally, how she demonstrated nationalism through historical writings in Hong Kong during the Second Sino-Japanese War.
Keyword
:female intellectual, Lingnan, Macao, talented woman, Sin Yuk-ching
“Unqualified”and “Licentious”
Nu Xiaozhang
女校長 in Republican China: Sexism toward Professional Women in School Leadership Positions
[Abstract]
Ni Julia Haoran
PDF
125
female intellectual, Lingnan, Macao, talented woman, Sin Yuk-ching school principals at various school levels demonstrates the fact that well-educated women had begun to leave the domestic sphere to take up public roles as administrators in order to contribute to society. These women in school leadership positions also symbolize an absolute reversal of the traditional gender hierarchy in the educational field; that is, they were empowered to manage fellow teachers and staff who were largely male within the school confines. However, anxiety about these headmistresses was ubiquitous among male intellectuals, including students’ guardians and local elites. In addition to criticizing headmistresses, some of these men even exercised their power to exclude women from school leadership positions. Focusing on the corruption case of Hu Lan 胡蘭, headmistress of Shanghai Wuben Girls’ Secondary School (Wuben nüzhong 務本女中) in 1937, the present article explores the extreme sexism that lower-level female principals encountered even in education, a field that seemed to be open to women. This article argues that women’s educational qualifications and their sexual morality as school principals were easily questioned in male-dominated Republican China: as found in legal archives and other historical sources, being “unqualified” and “licentious” were the most two common accusations leveled against them. This gender tension further reveals Chinese male intellectuals’ territoriality of Chinese morality and traditions during China’s modernization process.
Keyword
:educational qualification, female principals, male anxiety, professional women, sexual morality
Book Review
Book Review on
Palace Norms: the Research onCourt Women in Qing
[Abstract]
Lee Dian-Jung
PDF
179
本文從跨文化傳播與翻譯的視角,探討19世紀俄國革命者書寫的《地下的俄羅斯》以及其所描述的「蘇菲亞」形象,如何在日本的政治小說《鬼啾啾》、歷史學術著作《近世無政府主義》、中國的小說《東歐女豪傑》、傳記〈俄國虛無黨女傑沙勃羅克傳〉等著作中,因應著國家面臨的現代政治轉型而不斷被轉化。本文分為四個部分:第一部分討論俄國革命者司特普尼亞克撰寫《地下的俄羅斯》的動機、策略,以及「蘇菲亞」在其著作中的形象與意義;第二部分探討日本民權運動家宮崎夢柳改編的《鬼啾啾》所呈現的「蘇菲亞」形象;第三部分探討歷史學者煙山專太郎《近世無政府主義》內「蘇菲亞」的形象轉化;第四部分聚焦中國知識人根據日人著作所譯述的「蘇菲亞」形象的特色和政治意義。追索「蘇菲亞」的事蹟及其形象的源流,當更能清楚勾勒其形象在數種文化脈絡中的意義轉化,同時也能呈現在19世紀末至20世紀初全球化脈絡下政治宣傳、文化詮釋與象徵彼此交織的圖景。
Keyword
:女傑、虛無黨、蘇菲亞、恐怖分子、革命
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