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Home
> Publications >
RWMCH
Vol. 33
ISSN：
1029-4759
Date：
2019-6
Softcover：200 TWD
Price：
未出版
Pages：
175
Vol.：
0
Size：
18 K
Other Ordering Methods：
MH
Abstract：
本期為《走過五四專號（上）：知識婦女》，收專號導論一篇：連玲玲撰〈走過五四：反傳統風潮下的知識婦女與婦女知識〉、學術論文三篇：黃錦珠著〈新時代的閨秀作家：陳小翠其人其事〉、秦 方著〈五四女性的政治取向與形象塑造：以劉清揚、郭隆真和張若名為例〉、葉韋君著〈後五四時期的知識婦女：《婦女共鳴》的社會網絡(1929-1944)〉，及書評一篇：苗延威撰〈纏足研究的經濟中心論：評Laurel Bossen and Hill Gates,
Bound Feet, Young Hands: Tracking the Demise of Footbinding in Village China〉
。
Contents
Special Issue: Passing through the May Fourth (I):Women with Knowledge
Contents
Foreword
Passing through the May Fourth: Women with Knowl- edge and Knowledge about Women in the Tide of Anti- tradition
Ling-ling Lien
PDF
Articles
A Literary Woman of the New Era: The Life and Times of Chen Xiaocui
[Abstract]
Jin-chu Huang
PDF
1
Daughter of Chen Diexian, a famous writer of the Mandarin Ducks and Butterflies school, Chen Xiaocui (1902-1967) was a precocious young poetess who made her debut in literary circles when she was only twelve. Her photos and writings frequently appeared in popular newspapers and journals. Later, she became a highly- acclaimed painter, known for both her poetry and her painting. She taught poetical writings at the Shanghai Junior College of Literature, served as managing director of the Chinese Women’s Calligraphy and Painting Association, and was a member of the Chinese Painting Academy. In the early stages of the Cultural Revolution, she committed suicide. Her works, including poetry, lyrics, lyric songs, rhyme-prose, essays, fiction, and drama, were collected in Complete Works of Lyrics From Cuilou（翠樓吟草全集）. Her fictional writings and translations of fiction were all written in classical Chinese. She was a versatile writer who insisted on the classical mode of writing. Born into an age of women’s ∗ Professer, Department of Chinese Literature, National Chung Cheng University rights and the vernacular baihua movement, Chen Xiaocui’s writing style and ways of behavior show that the women’s rights movement and the vernacular movement were not movements that people accepted or rejected in toto, whether in language use or in gender-positioning. The dichotomies of new and old, progressive and regressive, avant-gardism and conservatism, were never binary. There was an interpenetration between the two poles, and the individual’s mutual involvement in different positions was nothing uncommon. The case of Chen Xiaocui shows that language use and gender-positioningin Republican China were subtle and complex, and hence deserve more attention.
Keyword
：Chen Xiaocui, Complete Works of Lyrics From Cuilou, late Qing and Republican period, classical mode of writing, talented women in poetry and painting
The Political Orientations and the Image Making of the May Fourth Women: With the Case Study of Liu Qingyang, Guo Longzhen, and Zhang Ruoming
[Abstract]
Fang Qin
PDF
53
This article examines the interactive relationships between gender and politics by focusing on the life stories of three May Fourth women: Liu Qingyang, Guo Longzhen, and Zhang Ruoming. To some extent, these three women represented the prototype of the May Fourth generation, but the diversity seen in their family backgrounds, social roles, and personal styles indicated their future divergence. After the May Fourth Movement, their life trajectories were closely interwoven with modern political parties, especially the Chinese Communist Party. Their relationships with the CCP determined their destinies and images after the founding of the People’s Republic of China. Meanwhile, their progenies and researchers also attempted to challenge and revise these CCP-sanctioned images. In many ways, the life stories and the image-making of these three May Fourth women reveal the complex dimensions between gender and politics
Keyword
：the May Fourth Generation, Liu Qingyang, Guo Longzhen, Zhang Ruoming, the Power of the Political Party
Intellectual Women in the Post-May Fourth Period: A Social Network Analysis of Women’s Resonance (1929- 1944)
[Abstract]
Wei-chun Yeh
PDF
113
This article analyzes the social network of
Women’s Resonance
through the “Authorship of Chinese Women’s Periodicals” platform of the Institute of Modern History, Academia Sinica.
Women’s Resonance
was a publication that featured Guomindang (Kuomintang) women, having inherited the resources of the movement for women’s political participation since the Revolution of 1911. Influenced by the trends of the time, its authors displayed different political choices, cooperating and splitting at various moments, which demonstrates the flexibility of the women’s movement.
The public activities they participated in overlapped, defining a clear scope for this intellectual women’s group. This research is not limited to a single community, but can be a case study of the organization and mobilization patterns of intellectual women in the post-May Fourth period generally.
First, this article clarifies the distribution of editing groups and main authors, and further analyzes their social networks. It explains their relationships more systematically and solves certain problems that were limited by content analysis in the past. This article shift scholarly focus from the journal’s content to the network of relationships, exploring organizational patterns and patterns of political and cultural capital allocation. Second, it examines how different women’s organizations cooperated with each other in bargaining with the patriarchal system. And third, it shows how they competed with each other for the dominance of female discourse.
Keyword
：journal, author, gender, Guomindang, social network analysis
Book Reviews
An Economic Approach to the Study of Footbinding: Book Review on
B
ou
nd Feet, Young Hands: Tracking the Demise of Footbinding in Village China
Yen-wei Miao
PDF
163
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